ARTS Episode 7
category: general [glöplog]
i did hear your rant about not wanting to use the show to promote dark domain yes.
i think you still do it even if unintentionally. not necessarily about dark domain (that doesnt bother me the slightest, its more the constant pilgrimage reference as oposed to mentioning the latest happening party somewhere in europe thats annoying)
i think you still do it even if unintentionally. not necessarily about dark domain (that doesnt bother me the slightest, its more the constant pilgrimage reference as oposed to mentioning the latest happening party somewhere in europe thats annoying)
hehehehe
americans are funny
here is a newsflash:
there is this thing called demoscene, and its centered on europe not america.
now go back through your shows, count how many references to the european scene you have and how many to pilgrimage you have and i'll rest my case.
yeh i know, im a bitch whiner.
still, look at the actual arguments instead of my whining, check ojuice parties list and realise you should be either making more references to european parties or embrace the fact that your target audience is the american scene and not the general scene.
either way, its just feedback.
sorry if i hurt your ego radman,
props to you for your dedication despite my seemingly inflamatory feedback. keep doing more shows. just dont tell me to not listen and start my own when i dont agree with your direction.. thats the worst reply you can give to any kind of feedback you get.
americans are funny
here is a newsflash:
there is this thing called demoscene, and its centered on europe not america.
now go back through your shows, count how many references to the european scene you have and how many to pilgrimage you have and i'll rest my case.
yeh i know, im a bitch whiner.
still, look at the actual arguments instead of my whining, check ojuice parties list and realise you should be either making more references to european parties or embrace the fact that your target audience is the american scene and not the general scene.
either way, its just feedback.
sorry if i hurt your ego radman,
props to you for your dedication despite my seemingly inflamatory feedback. keep doing more shows. just dont tell me to not listen and start my own when i dont agree with your direction.. thats the worst reply you can give to any kind of feedback you get.
Those are not my words, I didn't tell you to start your own. Simply put: You don't have the pungs to do it, bitch. :-P
I don't have the time or desire to do this. We have already have transcripts up; if you want to engage in some petty phrase counting go right ahead. I already know where my show stands.
Quote:
now go back through your shows, count how many references to the european scene you have and how many to pilgrimage you have and i'll rest my case.
I don't have the time or desire to do this. We have already have transcripts up; if you want to engage in some petty phrase counting go right ahead. I already know where my show stands.
lol, cammon radman, accept that you dont know half of anything thats happening in the european scene and are focusing on what you are sure of.
i dont really mind hearing about the stuff you are into, really, its interesting, and its cute to see the prespective from a person discovering how demoparties work, its nostalgical cute and highly motivating too :D its just that i really posess a deep desire to see you hurry up with your homework and discover the core of the european scene and more subscenes rather then the ascii/ansi stuff that you are so well deep into before you run out of americans to interview. ;)
i wanna hear specials on the parties that happened on these couple weekends, not just the biggest ones. i want discussions on things that are concearning the scene nowdays. where are the c64, speccy, gba, atari references? netlabel scene?.. cultural dissociation consequences and benefits..
interviews with new groups in focus is good. i like them, i think lots other ppl like to listen abit of their story too. but i would be alot more interested in hearing about stories of ppl who have their roots coming from older days in the scene.
mentioning new releases from cc, buenzli and evoke instead of how popular the pilgrimage invitation is would score alot higher in my book.
all that beeing said,
dont challenge me on scene journalism grounds bitch, i will eat your brain raw with my dedication and preseverance. its just too much work to be worth the bother, too many extra curricular activities already. but make no mistake, if i would take your challenge, i would crush you like a peannut. bitch. ;) =)
i dont really mind hearing about the stuff you are into, really, its interesting, and its cute to see the prespective from a person discovering how demoparties work, its nostalgical cute and highly motivating too :D its just that i really posess a deep desire to see you hurry up with your homework and discover the core of the european scene and more subscenes rather then the ascii/ansi stuff that you are so well deep into before you run out of americans to interview. ;)
i wanna hear specials on the parties that happened on these couple weekends, not just the biggest ones. i want discussions on things that are concearning the scene nowdays. where are the c64, speccy, gba, atari references? netlabel scene?.. cultural dissociation consequences and benefits..
interviews with new groups in focus is good. i like them, i think lots other ppl like to listen abit of their story too. but i would be alot more interested in hearing about stories of ppl who have their roots coming from older days in the scene.
mentioning new releases from cc, buenzli and evoke instead of how popular the pilgrimage invitation is would score alot higher in my book.
all that beeing said,
dont challenge me on scene journalism grounds bitch, i will eat your brain raw with my dedication and preseverance. its just too much work to be worth the bother, too many extra curricular activities already. but make no mistake, if i would take your challenge, i would crush you like a peannut. bitch. ;) =)
Quote:
its just too much work to be worth the bother
That's what I thought.
oh yeh,
blunt flame on how pilgrimage invitation is only popular couz its been spammed like fuck. and how much (just to give a small sharp and clean example) the evoke invitation is alot more appreciated and cheered by everyone and their mother, here.
familiar quote of the day the earth was born here.
love,
blunt flame on how pilgrimage invitation is only popular couz its been spammed like fuck. and how much (just to give a small sharp and clean example) the evoke invitation is alot more appreciated and cheered by everyone and their mother, here.
familiar quote of the day the earth was born here.
love,
radman: hei, you had to stop acid to do ther arts. shall i quit scene.org enoughrecords.com and inercia.org just to prove to you that i know more of the european demoscene then you do? cammon, i have ego problems and have been known to be somewhat quite insane but i do try to keep a decent usefullness/workload ratio going.
dont forget that i also have all those demos that no one really understands why they got done to work on too :)
btw, when are you releasing your next demo? *evil grin*
btw, when are you releasing your next demo? *evil grin*
My short film didn't get shown at Assembly 2004 either, but I didn't cry about it. :)
i didnt cry about my film not beeing shown either.
i complained on the other one i delivered which was not made by me but was quite worth beeing shown.
i complained on the other one i delivered which was not made by me but was quite worth beeing shown.
:s/"ARTS Episode 7"/"RaD Man vs. ps"
and complained with very good grounds (which other sceners also have been agreeing for quite a few years now and the asm org keeps ignoring) might i add.
maybe you should read the asm oldskool mailing list again.
maybe you should do a special on that particular subject for the arts even. maybe the people who still dont seem to get the point of my complaint might be abit slightly more enlightened through your show.
seriously.
maybe you should read the asm oldskool mailing list again.
maybe you should do a special on that particular subject for the arts even. maybe the people who still dont seem to get the point of my complaint might be abit slightly more enlightened through your show.
seriously.
You guys should whip 'em out and 'sword fight' already.
Then go 'make up'. Video not necessary.
Then go 'make up'. Video not necessary.
lets just try to beat the highscore of painstation instead =D
ps: Look on the bright side: Only a few more weeks of Pilgrimage 2004 hype remaining...
...Then it's onto Pilgrimage 2005!
...Then it's onto Pilgrimage 2005!
i can hardly wait
This must be the funniest thread ever, ps and radman bashing eachother who did most for the demoscene...
0.f/0.f
0.f/0.f
pouet alu error: thread terminated by swedish scener.
Dammit, quit having a train wreck, I'm waiting for the OTHER Train Wreck!
I'm waiting for more Lobstertainment.
fuckhead was shit, tho :)
lots of people agree on that point too
lots of people agree on that point too
THE VOICE:
RAD MAN:
Who is the founder of the original Boozembly barbeque?
FRANK:
I don't know! Well, the physical construction is by DDT of Accession, who
made it last year with a couple of people. But it is still standing, which
is great.
RAD MAN:
Yeah. They brought concrete and bricks and just began building it?
FRANK:
Yup. We shared some of the expenses, but well, he took a couple of Euros
from everybody--
RAD MAN:
Yeah.
FRANK:
But he did most of the work.
RAD MAN:
How many people did it take to build this?
FRANK:
I think it was DDT and Moku and Sivu, perhaps. Three guys, if I remember
correctly.
RAD MAN:
What's the original reason that the original Boozembly barbeque was built?
FRANK:
Well, because people were here on the rocks every year drinking some and
making a bonfire and stuff like that, so we thought it would be better if
we had a real place to make our meat!
RAD MAN:
Were there any problems, like, for example, last year or the year before
with the fire department, or--?
FRANK:
Yeah the fire department, they visited here and they [said] "Hey, this is a
good thing" and they went away.
RAD MAN:
Yeah. Nice.
FRANK:
There is the security coming if you want to check those out.
RAD MAN:
That is the official Assembly security, or--?
PEGASUS:
Yeah.
FRANK:
Yeah, Assembly security. They're usually--
PEGASUS:
The front guy there, he's been in a demo last year. He's famous.
RAD MAN:
His name is Annie?
PEGASUS:
Annie, yeah.
FRANK:
It's Finnish for "The Voice", because he has this booming voice.
PEGASUS:
He's famous!
FRANK:
He's usually the main guy harassing people and--
PEGASUS:
He's cool guy.
RAD MAN:
Who is the founder of the original Boozembly barbeque?
FRANK:
I don't know! Well, the physical construction is by DDT of Accession, who
made it last year with a couple of people. But it is still standing, which
is great.
RAD MAN:
Yeah. They brought concrete and bricks and just began building it?
FRANK:
Yup. We shared some of the expenses, but well, he took a couple of Euros
from everybody--
RAD MAN:
Yeah.
FRANK:
But he did most of the work.
RAD MAN:
How many people did it take to build this?
FRANK:
I think it was DDT and Moku and Sivu, perhaps. Three guys, if I remember
correctly.
RAD MAN:
What's the original reason that the original Boozembly barbeque was built?
FRANK:
Well, because people were here on the rocks every year drinking some and
making a bonfire and stuff like that, so we thought it would be better if
we had a real place to make our meat!
RAD MAN:
Were there any problems, like, for example, last year or the year before
with the fire department, or--?
FRANK:
Yeah the fire department, they visited here and they [said] "Hey, this is a
good thing" and they went away.
RAD MAN:
Yeah. Nice.
FRANK:
There is the security coming if you want to check those out.
RAD MAN:
That is the official Assembly security, or--?
PEGASUS:
Yeah.
FRANK:
Yeah, Assembly security. They're usually--
PEGASUS:
The front guy there, he's been in a demo last year. He's famous.
RAD MAN:
His name is Annie?
PEGASUS:
Annie, yeah.
FRANK:
It's Finnish for "The Voice", because he has this booming voice.
PEGASUS:
He's famous!
FRANK:
He's usually the main guy harassing people and--
PEGASUS:
He's cool guy.
it's not Annie but Ääni
fix0red.