The random Copy&Paste thread

Wat is er nu plezanter als tetten ? :D

added on the 2008-12-14 12:40:57 by whynot2000

There shall in that time be rumors of things going astray, erm, and there shall be a great confusion as to where things really are, and nobody will really know where lieth those little things with the sort of raffia-work base, that has an attachment. At that time, a friend shall lose his friend's hammer, and the young shall not know where lieth the things possessed by their fathers that their fathers put there only just the night before, about eight O'clock.

added on the 2008-12-14 15:37:46 by chriz74

18:54 ( yath ) grmpf. entweder gibts erdnüsse nur so komisch verpackt, oder geröstet und gesalzen.

added on the 2008-12-14 18:57:54 by Silicium

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added on the 2008-12-14 19:00:27 by 🎀𝓀𝒶𝓃𝑒𝑒𝓁🎀

101 reasons why Skinny Puppy fan[atic]s are unpopular

1/ They refuse to accept that most people have never even heard of Skinny Puppy.

2/ They refuse to accept that plenty of people who have heard of Skinny Puppy don’t like them.

3/ They refuse to accept that plenty of people who have heard of Skinny Puppy not only don’t like them, but think they’re shit.

4/ They think Marilyn Manson is a rip-off, the devil (not in a good way) and akin to Britney Spears in the musical talent and originality stakes.

5/ They think Trent Reznor is no more than a dirty thief.

6/ They think Front Line Assembly are sell outs.

7/ They have screen names such as ‘ice cream eyes’ and ‘urban needle’ which no one else understands.

8/ They also like Throbbing Gristle, Einsturzende Neubauten, SPK and various other noisy shit like that.

9/ They think Throbbing Gristle, Einsturzende Neubauten, SPK, etc are good influences.

10/ They refuse to accept that plenty of people find Ogre’s vocal style bloody irritating.

11/ They refuse to accept that Ogre is not god.

12/ They refuse to accept that Nivek Ogre is not a name that most English teachers recognise and as such his lyrics cannot be studied in poetry classes.

13/ They dispute the claim that Skinny Puppy are industrial but refuse to put any other label on them because “genius cannot be pinned down in a few mere words”.

Except that…

14/ They think that ‘Brap’ should be an official genre name of which Skinny Puppy is the only acceptable band (whereas most people would think that the B in brap is a typo and should be replaced with a C).

15/ They think that June 12th and August 23rd should be internationally recognised days of mourning and are campaigning for these dates to be officially listed as such.

16/ They dress in black on June 12th and August 23rd.

17/ They dress in black on every other day too.

18/ People think they’re goths.

19/ People think they’re goths and therefore Marilyn Manson fans.

20/ People who think that Skinny Puppy fan[atic]s are goths and/or Marilyn Manson fans tend to wake up in hospital with severe concussion and ‘Skinny Puppy rules’ written on their forehead.

21/ They’re likely candidates for the culprits of the firebombing of the cars/homes of bosses of companies who practice vivisection.

22/ They use TFWO as an abbreviation in online forums and no one else knows what it means.

23/ They use ‘weirded’ as a real word.

24/ They have a tendency to draw the Skinny Puppy logo on every piece of paper, table, flat surface, person, etc they come into contact with instead of doing work, writing down lecture notes, etc.

25/ They call their pets Ogre, Cevin or Dwayne.

26/ They call themselves Ogre, Cevin or Dwayne (whether male or female).

27/ If they have more than 3 pets, the other pets end up being given names from obscure passages of Skinny Puppy lyrics, much to the bemusement of the fan[atic]’s parents, the vet, etc

28/ They would willingly sell their grandmother to get their hands on an original copy of ‘Back & Forth’.

29/ They actually *did* sell their grandmother to get their hands on an original copy of ‘Back & Forth’.

30/ And their little brother too…

31/ They look forward to the day when science will eradicate the need for sleep so they can listen to Skinny Puppy 24/7.

32/ Until that day, they still play Skinny Puppy while they are asleep.

33/ And on the bus.

34/ And in school/college/work.

35/ And whilst eating.

36/ And whilst doing every other activity.

37/ They want ‘Smothered Hope’ played at their funeral.

38/ They played ‘Testure’ at their granddad’s funeral.

39/ They try to convert all their non Skinny Puppy liking friends into fans. At gunpoint if necessary.

40/ They have a tendency to randomly quote lines from Skinny Puppy songs in totally unrelated conversations.

41/ They constantly phone their local radio station and demand that they play some Skinny Puppy. No, not having any Skinny Puppy is not good enough. Never having heard of Skinny Puppy is not good enough. No, motherf***ing Britney f***ing Spears will not do instead.

42/ They don’t understand why the average Britney Spears fan wouldn’t want to watch a music video that also happens to be an anti-vivisection film and refuse to give up their campaign to get MTV to show it.

43/ They see nothing wrong in a guy wandering up and down onstage, covered in blood and animal entrails and smashing skulls over his head.

44/ They take criticism of the band as personal insults.

45/ They take criticism of the band as personal insults, and threaten to hunt down and beat up the person who criticised them.

46/ They take criticism of the band as personal insults, and actually *do* hunt down and beat up the person who criticised them.

47/ They want to name their first child Nivek Cevin Dwayne, even if it’s a girl.

48/ They want to name their second child Rave.

49/ They go into high street record stores and ask if they have any Skinny Puppy, knowing full well if it’s not by Britney Spears or Linkin Park, they won’t stock it, just to wind up and confuse the assistants.

50/ They want to kill Bryan Adams, Nickelback, etc for bringing Canadian bands into disrepute.

51/ They will put the same Skinny Puppy album on repeat for 10 hours at a time.

52/ They send hatemail, death threats and mailbombs to any magazine, website, etc which suggests that Ministry were the most pioneering industrial band ever (or even worse, that NIN are) and then make everyone boycott the magazine/website/whatever.

53/ They look forward to the day that gene therapy will be able to cure Marilyn Manson fans.

54/ Until then, they satisfy themselves with kicking the shit out of Marilyn Manson fans.

55/ Their contempt for bands such as Gravity Kills, Filter, Stabbing Westward, etc knows no limits.

56/ Their contempt for fans of bands such as Gravity Kills, Filter, Stabbing Westward, etc also knows no limits.

57/ They own a dog and nickname it Skinny Puppy, even if the dog is the fattest known to mankind and 12 years old.

58/ They own 50 Beagles. No, it’s purely coincidental that the Beagle farm that supplies the vivisection laboratory with its animals was broken into last week and all the dogs were stolen.

59/ They also own 3,000 rabbits, rats and guinea pigs and the odd ape. Again, it’s purely coincidental that the animal breeding facility which supplied rabbits, rats, guinea pigs and apes to the vivisection laboratory was also broken into last week and all the animals were stolen.

60/ They understand and like to repeatedly point out (to friends, family, passers by, the government, whoever) the irony of Skinny Puppy being arrested because of an incident stemming from the mistaken belief that they were dissecting a dog for entertainment purposes, when the same procedures are carried out perfectly legally hundreds of times over on real animals, in the same country and no one bats an eyelid.

61/ They themselves would have no qualms about performing these procedures on lesser mortals however (i.e. Marilyn Manson fans, ravers, the morons who give Skinny Puppy albums bad reviews on influential music websites, etc)

62/ They refuse to let anyone listen to Pretty Hate Machine in peace and give anyone who tries a half hour lecture on how NIN ripped off Skinny Puppy, complete with soundclips to prove their point.

63/ They think it might be cool to be infected with rabies, just so they can say they have rabies and mean it in more than one way.

64/ Even after hours of explanations, diagrams and helpful video learning guides, they still can’t understand why more people would sooner listen to Britney Spears, Limp Bizkit and Sum 41 than Skinny Puppy.

65/ People think they’re Satanists because they have a poster of a guy covered in blood on the back of their bedroom door.

66/ People also think they’re Satanists because one of their favourite albums has the number 666 in its title in Roman numerals.

67/ Skinny Puppy newcomers ask them for a couple of song recommendations to try out and they reply by telling them to buy the complete discography.

68/ Taking a few of their favourite CDs to listen to whilst going out for the day, on holiday, etc means they lug at least 25 Skinny Puppy CDs around with them.

69/ Younger Skinny Puppy fan[atic]s hate their parents for giving birth to them too late in the 1980s to get into Skinny Puppy right from the very start.

70/ They hate their mother for not playing Skinny Puppy to them whilst they were in the womb (9 months of prime Skinny Puppy listening time wasted).

71/ If she did play Skinny Puppy to them whilst they were in the womb, she didn’t turn it up loud enough.

72/ They take the advice in the cover notes of the Vivisect VI CD of ‘play this music loud or not at all’ a little too literally.

73/ They miss the 1980s (even the hairstyles).

74/ They get pissed off with and punch people who misspell Cevin with a K.

75/ They refuse to believe the claims by campaigners that marijuana is bad.

76/ Their understanding of ‘mellow’ when asked to play a mellow song results in them putting on ‘Killing Game’.

77/ They think the ‘Far Too Frail’ video is funny.

78/ They think Lee Chubby King’s ‘Yo Pusface’ is hilarious.

79/ They hate hip hop because they think it ripped off ‘Dig it’.

80/ They hate popular dance music for giving electronic music a bad name.

81/ They/their parents/partner/lover/whoever had to build an extension on the back of their house to accommodate their collection of 500+ Skinny Puppy and Skinny Puppy related CDs, vinyl, items of merchandise, etc.

82/ They/their parents/partner/lover/whoever (or all of them) had to re-mortgage their house to pay for their collection of 500+ Skinny Puppy and Skinny Puppy related CDs, vinyl, items of merchandise, etc.

83/ When asked how they feel, they reply ’sorry I’m f***ed up inside’ or ’self abusive recluse too late for me’ or - perhaps most disturbingly - ‘deaths the only thrill’.

84/ They accost Christians in the street and inform them that worshipping Skinny Puppy is the only religion that counts.

85/ They are campaigning to get ‘Dogshit’ instated as the national anthem.

86/ They know that Skinny Puppy condemned Iraq and its use of chemical weapons long before it became ‘fashionable’ for the Western world to do so, back when the Western world still considered Iraq to be an ally.

87/ They are lobbying their local TV station to get the morning news read in the style of ‘VX Gas Attack’.

88/ If they see NIN’s ‘Down in it’ video on TV they start screaming ‘Rip off!’ at the screen until someone forcibly restrains them.

89/ They make their friends and family watch videos of obscure films just because someone told them that “one of the characters in the background in one of the scenes somewhere *might* have been wearing a Skinny Puppy t shirt”.

90/ They turn their nose up at any band that doesn’t claim Skinny Puppy as an influence, or wasn’t claimed as an influence by Skinny Puppy.

91/ They also turn their nose up at any band that claims Skinny Puppy as an influence, and sounds exactly like them.

92/ They secretly want to be in a band that sounds exactly like Skinny Puppy.

93/ They harass science teachers, nerdy kids who look as if they might know something about science, etc to try to get them to invent time travel so that they can go back and watch Skinny Puppy performing in the ‘good old days’ again and again.

94/ They can give an alphabetically ordered list of every Skinny Puppy track ever released, recorded or demoed (including the b sides and remixes), plus dates of release and re-release, formats available, guest artists, etc, whether this information is asked for or not.

95/ They dream of Skinny Puppy becoming the most famous and popular band in the world, but if this were to happen they would then worry that Skinny Puppy had been adopted by ‘trendies’ who really are not even fit to lick the dirt from the band’s boots and so would then want them to be relatively unknown again.

96/ They buy Skinny Puppy CDs as presents for their Skinny Puppy hating friends and relatives’ birthdays and Christmases, every year, just to boost Skinny Puppy’s record sales.

97/ Instead of remembering the old motto that “it’s the thought that counts” and acting graciously, when their 90 year old Granny gives them a CD by ‘that Marilyn Manson, because I know you like that kind of music’ (along with a woolly jumper that she spent the past 6 months knitting) for their Christmas present, they punch her in the face and storm out of the room.

98/ They will divorce/disown any family members - no matter how closely tied to them they are - who call Skinny Puppy ‘crap’ or ‘talentless’ or refer to them as making music which sounds like either ‘the theme tune from Knight Rider’ or ’shite 80s techno’.

99/ They quiz all potential friends or lovers on their knowledge of the life, works and influence of Skinny Puppy before deciding whether to continue with the friendship/relationship.

100/ They force everyone to watch films sampled by Skinny Puppy, and never shut up if they come across a sample used by the band when they’re watching a movie. (this one thought up by Johan)

101/ They’re convinced that the world is a shit and screwed up place to live and that humans will soon bring about the end of the world (or nature will have its revenge - either is a possibility) and we’ll all die, but they don’t care as long as they can be listening to Skinny Puppy as they die

PS: i posted this 'cause i fucking LOVE Sinny Puppy.

added on the 2009-01-20 23:50:17 by orb

Another technique that uses an overflow(and I'm surprised nobody has found a way to use it practically), is the hallucinated powerup glitch, involving a hallucinated powerup running out of energy in a worker's hold so that when a new unit is created, it will replace the powerup that was in the worker's hold, teleporting the new unit to the worker's destination on its destruction, and applying the powerup property to the unit so that it can be picked up.

added on the 2009-01-20 23:51:27 by PENETRATOR

i just this whole thread !
no i am confused aswell !

added on the 2009-01-21 00:32:40 by ɧ4ɾɗվ.

The random Copy&Paste thread

added on the 2009-01-21 00:35:12 by vscd

=SUMIF('Raw data'!N:N,'Total sales'!D3,'Raw data'!Z:Z)

added on the 2009-01-21 00:48:33 by psonice

nine nine nine nine nine nine nine nine nine nine nine nine

added on the 2009-01-21 00:53:37 by vscd

Ο μεγαλύτερος πόλεμος που μαίνεται στον «κυβερνοχώρο» κι έχει φτάσει σε κυβερνητικό επίπεδο στην Αμερική, είναι ο πόλεμος του «Browser». «Browser»: Αυτός που βόσκει, (όχι ο βοσκός), αυτός που διαβάζει επιπόλαια, αυτός που καταναλώνει ζωοτροφή, που φυλλομετράει, που ψάχνει σε σύνολο πληροφοριών. ¶ρα ο πόλεμος του «Browser» είναι ο πόλεμος για το πρόβατο και το κοπάδι. Ο «Browser» είναι το πρόγραμμα που ενεργοποιούμε όταν θέλουμε να κινηθούμε στο Internet. Χρησιμοποιούμε συνήθως δύο, έναν της Microsoft ή έναν της Netscape που προσφέρονται «δωρεάν». Προσοχή, το κόλπο είναι στον «δικαιωματικό έλεγχο» που μπορεί να γίνεται καθώς εμείς ζητούμε πληροφορίες. Οι «ευκολίες» που παρέχουν μας αναγκάζουν να κινούμαστε σε ένα σύνολο πληροφοριών λίγο – πολύ ελεγχόμενο κι υπάρχουν κι άλλοι κρυφοί λόγοι για κάθε τέτοια «ευκολία». Οι συνήθειες και ο τρόπος σκέψης διαμορφώνονται από τον «ευκολότερο» τρόπο, τον πιο λειτουργικό.

ΕξΆ άλλου I.B.M. είναι το ακρωνύμιο του Iacobus Burgundus Molensis ή αλλιώς Ζακ ντε Μολέ, του τελευταίου Μέγα Διδάσκαλου των Ναϊτών και ιερού προσώπου για τον τεκτονισμό. Το «μηλαράκι» συμβαίνει να είναι το σύμβολο μιας θρυλικής υποομάδας των Ιλλουμινάτων, των Discordians. Αν αναγραμματίσουμε τη λέξη Microsoft θα μπορούσαμε να βγάλουμε τα εξής: Cosmic Fort (κοσμικό οχυρό), Cosmos Rift (το ρήγμα του κόσμου), From Stoic που θα πει ακόλουθοι των Στωικών (της σχολής του Ζήνωνα που δίδασκε την ελευθερία από το πάθος, τα συναισθήματα, τη θλίψη, την ευχαρίστηση και την υποταγή χωρίς παράπονο στην αναπόφευκτη αναγκαιότητα). Το «κοσμικό οχυρό» είναι μεγαλύτερη αποκάλυψη αν συνδυαστεί με την πληροφορία πως η Microsoft έχει κατασκευάσει ένα κτίριο, ακριβώς έξω απΆ την Ουάσινγκτον, που βρίσκεται σε σχηματισμό με το Πεντάγωνο του Υπουργείου Αμύνης κι είναι κι αυτό πεντάγωνο και στεγάζει το μεγαλύτερο μυστικό της, το υπερδίκτυο με το όνομα Hermes (Ερμής) που είναι μάλλον το πρώτο επιτυχημένο project τεχνητής νοημοσύνης της ιστορίας.

Η λέξη «Office» είναι σε προφορά όμοια με την Ελληνική βιβλική «ΟΦΙΣ». Το Office κέρδισε τον τίτλο του «απαραίτητου» αφού κατάστρεψε το γνωστό Lotus 1-2-3 και δύο τρία άλλα προγράμματα με παρόμοια ολική αίσθηση γραφείου, που όμως κανείς δεν είχε σκεφτεί να τα ονομάσει έτσι, λες κι η Microsoft κατείχε τα δικαιώματα της λέξης αυτής. Ίσως γιατί μας παραπέμπει άμεσα στη «λατρεία του φιδιού» που δεν είναι άλλο από το μυστικό τάγμα των Ιλλουμινάτων. Είναι φανερό πως αυτός ο μυστικός πόλεμος που διεξάγεται στο Internet, σε πρώτο επίπεδο, εκφράζεται σαν έλεγχος της αγοράς και εμπορικές αντιπαλότητες. Όμως για ποιο λόγο χρησιμοποιούνται όλα αυτά τα σύμβολα και οι κώδικες; Μπορεί όλοι αυτοί να θέλουν να ενδυθούν με αποκρυφιστικές δυνάμεις και υπονοούμενα, για να ενισχύσουν την ήδη μεγάλη δύναμή τους. Όμως, πριν κάποια χρόνια οι Ιλλουμινάτοι ήθελαν να μεταφέρουν το «Pentacle of Invocation» κάπου αλλού και αποφάσισαν να δημιουργήσουν μια νέα εταιρία με συμβολικό χαρακτήρα στην οποία θα συνέχιζαν τις εργασίες τους χωρίς διακοπές και φασαρίες. Το πλέον συμβολικό ίδρυμα που θα μπορούσαν να εμπνευστούν ήταν μια εταιρία προγραμματισμού.

Ένας πόλεμος συμβαίνει λοιπόν, πληροφορίας, πολιτικής και συμβολισμών ανάμεσα σε κάποιες ομάδες που προσπαθούν να ελέγξουν το Internet, αυτά τα ηλεκτρονικά Ακασσικά πεδία. Η Microsoft θέλει να μας πείσει πως είναι ο νικητής, ο παγκόσμιος ελεγκτής. Τι συμβαίνει αν όλα αυτά, δεν είναι απλώς «παιχνίδι πληροφορίας»; Αν η Microsoft είναι όντως προπύργιο των Ιλλουμινάτων, το δίκτυο είναι όντως μια άλλη διάσταση που την προσεγγίζουμε μέσω των αντικειμένων που ονόμασαν κάποιοι computers και σκοπεύουν να δημιουργήσουν μια παγκόσμια υπεροντότητα, μέσω του Internet...

added on the 2009-01-21 14:06:41 by Optimus

ΟΧΙΙΙΙΙΙΙΙΙΙ!

added on the 2009-01-21 14:07:38 by Optimus

バイオハザード５体験版PlaystationStoreにて近日配信開始。

バイオハザード (n) biohazard; ED
５【ご; いつつ】 (n) five; SP
体験版【たいけんばん】 (n) playable version (demo); trial version; ED
近日【きんじつ】 (n-adv,n-t) soon; in a few days; (P); EP
配信【はいしん】 (n,vs) distribution; delivery; transmission; provision; (P); EP
開始【かいし】 (n,vs) start; commencement; beginning; initiation; (P); EP

=> RESIDENT EVIL 5 DEMO FOR PS3 COMING SOON!!!

added on the 2009-01-21 15:22:05 by bartman

Code:

ModPlug Tracker MOD
|G#406...C40
|A-406...C3E
|C#506...C3D
|E-506...C3B
|G#407...C3A
|A-407...C38
|C#507...C36
|E-507...C35
|G#408...C33
|A-408...C32
|C#508...C30
|E-508...C2E
|G#409...C2D
|A-409...C2B
|C#509...C2A
|E-509...C28
|G#410...C26
|A-410...C25
|C#510...C23
|E-510...C22
|G#411...C20
|A-411...C1E
|C#511...C1D
|E-511...C1B
|G#410...C1A
|A-410...C18
|C#510...C16
|E-510...C15
|G#409...C13
|A-409...C12
|C#509...C10
|E-509...C11
|G#408...C13
|A-408...C14
|C#508...C16
|E-508...C17
|G#407...C18
|A-407...C1A
|C#507...C1B
|E-507...C1D
|G#406...C1E
|A-406...C20
|C#506...C21
|E-506...C22
|G#407...C24
|A-407...C25
|C#507...C27
|E-507...C28
|G#408...C29
|A-408...C2B
|C#508...C2C
|E-508...C2E
|G#409...C2F
|A-409...C30
|C#509...C32
|E-509...C33
|G#410...C35
|A-410...C36
|C#510...C38
|E-510...C39
|G#411...C3A
|A-411...C3C
|C#511...C3D
|E-511...C3F

added on the 2009-01-21 15:43:51 by Saga Musix

#define WM_MOUSEFIRST 0x0200
#define WM_MOUSEMOVE 0x0200
#define WM_LBUTTONDOWN 0x0201
#define WM_LBUTTONUP 0x0202
#define WM_LBUTTONDBLCLK 0x0203
#define WM_RBUTTONDOWN 0x0204
#define WM_RBUTTONUP 0x0205
#define WM_RBUTTONDBLCLK 0x0206
#define WM_MBUTTONDOWN 0x0207
#define WM_MBUTTONUP 0x0208
#define WM_MBUTTONDBLCLK 0x0209
#if (_WIN32_WINNT >= 0x0400) || (_WIN32_WINDOWS > 0x0400)
#define WM_MOUSEWHEEL 0x020A
#endif
#if (_WIN32_WINNT >= 0x0500)
#define WM_XBUTTONDOWN 0x020B
#define WM_XBUTTONUP 0x020C
#define WM_XBUTTONDBLCLK 0x020D
#endif
#if (_WIN32_WINNT >= 0x0600)
#define WM_MOUSEHWHEEL 0x020E
#endif

added on the 2009-01-21 15:45:15 by xTr1m

Code:


    if (getQuoteSession().getInvestmentDetailsPageSession().getCurrentRecurringProduct() != null) {
      productCode = getQuoteSession().getInvestmentDetailsPageSession().getCurrentRecurringProduct().getProductCode();
    } else {
      productCode = getQuoteSession().getInvestmentDetailsPageSession().getCurrentSingleProduct().getProductCode();
    }

added on the 2009-01-21 15:51:34 by _TrXtR_

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added on the 2009-01-21 16:11:54 by Muerto

OpenMAX DL (Development Layer) APIs contains a comprehensive set of audio, video and imaging functions that can be implemented and optimized on new CPUs , hardware engines, and DSPs and then used for a wide range of accelerated codec functionality such as MPEG-4, H.264, MP3, AAC and JPEG.

added on the 2009-01-21 20:37:54 by Blueberry

n = m_nXScroll + (pt.x - rect.left) / m_cxFont;
if ((n < 0) || (n >= int(m_pModDoc->GetSoundFile()->Order.size()))) n = -1;

added on the 2009-01-21 20:40:04 by Saga Musix

POSIX.2 requires that unrecognized options be diagnosed as “illegal”, but since they are not really against the law the default is to diagnose them as “invalid”.

added on the 2009-01-21 21:09:45 by Deltafire

Όπου ακούς πολλά έψιλον, κράτα και μικρό καλάθι !

added on the 2009-01-24 23:56:04 by Optimus

Doctor Who
From Wikipedia, the free encyclopedia
(Redirected from Doctor who)
Jump to: navigation, search
Semi-protected
This article is about the television series. For other uses, see Doctor Who (disambiguation).
Featured article
Doctor Who

Current Doctor Who title sequence
Format Science fiction drama
Created by Sydney Newman
C. E. Webber
Donald Wilson
Starring Various Doctors
(currently David Tennant)
Various companions
Theme music composer Ron Grainer
Delia Derbyshire
Opening theme Doctor Who theme music
Composer(s) Various composers
(currently Murray Gold)
Country of origin United Kingdom
No. of episodes 752 (as of 25 December 2008) (List of episodes)
Production
Running time 25 min. (1963–1984, 1986–1989)
45 min. (1985, 2005–present)
various other lengths
Broadcast
Original channel BBC One (originally known as BBC tv)
Picture format 405-line black & white (1963–1967)
625-line black & white (1968–1969)
PAL 625-line colour (1970–1989)
720x576 16:9 (2005–2008)
Original run Classic series:
23 November 1963 –
6 December 1989
Television movie:
12 May 1996
Current series:
26 March 2005 – present
Chronology
Related shows K-9 and Company
Torchwood
The Sarah Jane Adventures
K-9
Doctor Who Confidential
Totally Doctor Who
External links
Official website
IMDb profile
TV.com summary

Doctor Who is a British science fiction television programme produced by the BBC. The programme depicts the adventures of a mysterious alien time-traveller known as "the Doctor" who travels in his space and time-ship, the TARDIS, which normally appears from the exterior to be a blue 1950s police box. With his companions, he explores time and space, solving problems, facing monsters and righting wrongs.

The programme is listed in Guinness World Records as the longest-running science fiction television show in the world[1] and is also a significant part of British popular culture.[2][3] It has been recognised for its imaginative stories, creative low-budget special effects during its original run, and pioneering use of electronic music (originally produced by the BBC Radiophonic Workshop). In the United Kingdom and elsewhere, the show has become a cult television favourite and has influenced generations of British television professionals, many of whom grew up watching the series. It has received recognition from critics and the public as one of the finest British television programmes, including the BAFTA Award for Best Drama Series in 2006.

The programme originally ran from 1963 to 1989. After an unsuccessful attempt to revive regular production with a backdoor pilot in the form of a 1996 television film, the programme was successfully relaunched in 2005, produced in-house by BBC Wales in Cardiff. Some development money for the new series is contributed by the Canadian Broadcasting Corporation (CBC), which is credited as a co-producer. Doctor Who has also spawned spin-offs in multiple media, including the current television programmes Torchwood and The Sarah Jane Adventures, and a single 1981 pilot episode of "K-9 and Company".

The show's lead character, the Doctor, has been played by ten actors over the history of the show. The transition from one actor to another is written into the plot of the show as regeneration, and the different parts are often treated as distinct characters to the extent that in some time travel plots they encounter one another and work together. The Doctor is currently portrayed by David Tennant. In the programme's most recent series, which ran from 5 April to 5 July 2008,[4] Catherine Tate played the Doctor's companion, reprising her role of Donna Noble from the 2006 Christmas special.[5] A Christmas special, entitled "The Next Doctor", was broadcast in 2008 and will be followed by four more specials in 2009 and early 2010; the next full series, series 5, has been confirmed to air in 2010.[6] Tennant announced at the 2008 National Television Awards that after appearing in the four 2009–2010 Doctor Who specials, he will leave the role.[7][8] The Eleventh Doctor will be portrayed by Matt Smith.[9]
Contents
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* 1 History
o 1.1 Public consciousness
* 2 Episodes
o 2.1 Missing episodes
* 3 Characters
o 3.1 The Doctor
o 3.2 Companions
* 4 Adversaries
o 4.1 Daleks
o 4.2 Cybermen
o 4.3 The Master
* 5 Music
o 5.1 Theme music
o 5.2 Incidental music
o 5.3 Special sound
* 6 Viewership
* 7 Adaptations and other appearances
o 7.1 Dr. Who movies
o 7.2 Spin-offs
o 7.3 Charity episodes
o 7.4 Spoofs and cultural references
o 7.5 Merchandise
o 7.6 Books
* 8 Awards
* 9 See also
* 10 Footnotes
* 11 References
* 12 External links
o 12.1 Official sites
o 12.2 Reference sites
o 12.3 General information

History

Main article: History of Doctor Who

Doctor Who first appeared on BBC television at 5:15 p.m. (GMT) on 23 November 1963,[10] following discussions and plans that had been in progress for a year. The Head of Drama, Sydney Newman, was mainly responsible for developing it, with the first format document for the series being written by Newman along with the Head of the Script Department (later Head of Serials) Donald Wilson and staff writer C. E. Webber. Writer Anthony Coburn, story editor David Whitaker and initial producer Verity Lambert also heavily contributed to the development of the series.[11] The series' title theme was composed by Ron Grainer and realised by Delia Derbyshire of the BBC Radiophonic Workshop.[12] The programme was originally intended to appeal to a family audience.[13] The BBC drama department's Serials division produced the programme for 26 series, broadcast on BBC One. Viewing numbers that had fallen (though comparably increased at some points), a decline in the public perception of the show and a less prominent transmission slot saw production suspended in 1989 by Jonathan Powell, Controller of BBC One.[14] Although it was effectively cancelled (as series co-star Sophie Aldred reported in the documentary Doctor Who: More Than 30 Years in the TARDIS), the BBC said the series would return.

While in-house production had ceased, the BBC was hopeful of finding an independent production company to relaunch the show. Philip Segal, a British expatriate who worked for Columbia Pictures' television arm in the United States, approached the BBC about such a venture. Segal's negotiations eventually led to a television film. The Doctor Who television film was broadcast on the Fox Network in 1996 as a co-production between Fox, Universal Pictures, the BBC and BBC Worldwide. Although the film was successful in the UK (with 9.1 million viewers), it was less so in the United States and did not lead to a series.

Licensed media such as novels and audio plays provided new stories, but as a television programme Doctor Who remained dormant until 2003. In September of that year, BBC Television announced the in-house production of a new series after several years of unsuccessful attempts by BBC Worldwide to find backing for a feature film version. The executive producers of the new incarnation of the series are writer Russell T Davies and BBC Wales Head of Drama/BBC Television Controller of Drama Commissioning Julie Gardner. It has been sold to many other countries worldwide (see Viewership).

Doctor Who finally returned with the episode "Rose" on BBC One on 26 March 2005. There have been three further series in 2006, 2007, and 2008 and Christmas Day specials in 2005, 2006, 2007 and 2008. The fourth series began on BBC One on 5 April 2008. There will be a rest year in 2009, with no new series, although David Tennant will star in 4 specials in that year. After the 2008 Christmas special and four special episodes in 2009, a fifth full-length series is planned for Spring 2010,[15] with Steven Moffat replacing Davies as head writer and executive producer.[16]

The 2005–present version of Doctor Who is considered a direct continuation of the 1963–89 series, as is the 1996 telefilm. This differs from other series relaunches that have either been reimaginings or reboots (e.g., Battlestar Galactica and Bionic Woman) or series taking place in the same universe as the original but with a totally new cast of characters (e.g., Star Trek: The Next Generation and spin-offs).[17]

Public consciousness
A multicoloured variant of the familiar Doctor Who diamond logo which was used in the show's titles from Seasons 11 to 17. This version was widely used on merchandise for years afterwards.

The programme rapidly became a national institution in the United Kingdom, with a large following among the general viewing audience.[18] Many renowned actors asked for or were offered and accepted guest starring roles in various stories.

With popularity came controversy over the show's suitability for children. Moral campaigner Mary Whitehouse repeatedly complained to the BBC in the 1970s over what she saw as the show's frightening or gory content;[19] however, the programme became even more popular—especially with children. John Nathan-Turner, who produced the series during the 1980s, was heard to say that he looked forward to Whitehouse's comments, as the show's ratings would increase soon after she had made them.[20] During the 1970s, the Radio Times, the BBC's listings magazine, announced that a child's mother said the theme music terrified her son. The Radio Times was apologetic, but the theme music remained.

There were more complaints about the programme's content than its music. During Jon Pertwee's second season as the Doctor, in the serial Terror of the Autons (1971), images of murderous plastic dolls, daffodils killing unsuspecting victims and blank-featured android policemen marked the apex of the show's ability to frighten children. Other notable moments in that decade included the Doctor's apparently being drowned by Chancellor Goth in The Deadly Assassin (1976) and the allegedly negative portrayal of Chinese people in The Talons of Weng-Chiang (1977).

It has been said that watching Doctor Who from a position of safety "behind the sofa" (as the Doctor Who exhibition at the Museum of the Moving Image in London was titled) and peering cautiously out to see if the frightening part was over is one of the great shared experiences of British childhood. The phrase has become commonly used in association with the programme and occasionally elsewhere.
The Mark II fibreglass TARDIS used between 1980 and 1989

A BBC audience research survey conducted in 1972 found that by their own definition of "any act(s) which may cause physical and / or psychological injury, hurt or death to persons, animals or property, whether intentional or accidental", Doctor Who was the most violent of all the drama programmes the corporation then produced.[21] The same report found that 3% of the surveyed audience regarded the show as "very unsuitable" for family viewing.[22] However, responding to the findings of the survey in The Times newspaper, journalist Philip Howard maintained that: "to compare the violence of Dr Who, sired by a horse-laugh out of a nightmare, with the more realistic violence of other television series, where actors who look like human beings bleed paint that looks like blood, is like comparing Monopoly with the property market in London: both are fantasies, but one is meant to be taken seriously."[21]

The image of the TARDIS has become firmly linked to the show in the public's consciousness. In 1996, the BBC applied for a trademark to use the TARDIS' blue police box design in merchandising associated with Doctor Who.[23] In 1998, the Metropolitan Police filed an objection to the trademark claim; in 2002 the Patent Office ruled in favour of the BBC.[24]

The programme's broad appeal attracts audiences of children and families as well as science fiction fans. Its camp tendencies have also made it popular in gay culture.[25]

The 21st century revival of the programme has become the centrepiece of BBC One's Saturday schedule, and has "defined the channel".[26] Since its return, Doctor Who has consistently received high ratings, both in number of viewers and as measured by the Appreciation Index.[27] In 2007, Caitlin Moran, television reviewer for The Times, wrote that Doctor Who is "quintessential to being British".[3] The film director Steven Spielberg has commented that "the world would be a poorer place without Doctor Who."[28]

Episodes

Further information: List of Doctor Who serials

Doctor Who originally ran for 26 series (seasons) on BBC One, from 23 November 1963 until 6 December 1989. During the original run, each weekly episode formed part of a story (or "serial")—usually of four to six parts in earlier years and three to four in later years. Notable exceptions were the epic The Daleks' Master Plan, which aired in twelve episodes (plus an earlier one-episode teaser, "Mission to the Unknown", featuring none of the regular cast)[29], almost an entire series (season) of 7-episode serials (season 7), the 10-episode serial The War Games,[30] and The Trial of a Time Lord, which ran for 14 episodes (albeit divided into three production codes and four narrative segments) during Season 23.[31] Occasionally serials were loosely connected by a storyline, such as Season 16's quest for The Key to Time or Season 18's journey through E-Space and the theme of entropy.

The programme was intended to be educational and for family viewing on the early Saturday evening schedule. Initially, it alternated stories set in the past, which taught younger audience members about history, with stories set either in the future or in outer space to teach them about science. This was also reflected in the Doctor's original companions, one of whom was a science teacher and another a history teacher.

However, science fiction stories came to dominate the programme and the "historicals", which were not popular with the production team, were dropped after The Highlanders (1967). While the show continued to use historical settings, they were generally used as a backdrop for science fiction tales, with one exception: Black Orchid set in 1920s UK.[32]

The early stories were serial-like in nature, with the narrative of one story flowing into the next, and each episode having its own title, although produced as distinct stories with their own production codes. Following The Gunfighters (1966), however, each serial was given its own title, with the individual parts simply being assigned episode numbers. What to name these earlier stories is often a subject of fan debate.

Writers during the original run included Terry Nation, Henry Lincoln, Douglas Adams, Robert Holmes, Terrance Dicks, Dennis Spooner, Eric Saward, Malcolm Hulke, Christopher H. Bidmead, Stephen Gallagher, Brian Hayles, Robert Sloman, Chris Boucher, Peter Grimwade, Marc Platt and Ben Aaronovitch.

The serial format changed for the 2005 revival, with each series consisting of thirteen 45-minute, self-contained episodes (60 minutes with adverts, on overseas commercial channels), and an extended episode broadcast on Christmas Day. Each series includes several standalone and multi-part stories, linked with a loose story arc that resolves in the series finale. As in the early "classic" era, each episode—whether standalone or part of a larger story—has its own title.

751 Doctor Who instalments have been televised since 1963, ranging between 25-minute episodes (the most common format), 45-minute episodes (for Resurrection of the Daleks in the 1984 series, a single season in 1985, and the revival), two feature-length productions (1983's "The Five Doctors" and the 1996 television film), three 60-minute Christmas specials and a 72 minute Christmas Special in 2007.

The current series is recorded in 576i25 DigiBeta wide-screen format and then filmised to give a 25p image in post-production using a Snell & Wilcox Alchemist Platinum.

Missing episodes

Main article: Doctor Who missing episodes

The First Doctor (William Hartnell) collapses prior to his regeneration. (From the surviving clip of The Tenth Planet, episode 4.)

Between about 1964 and 1974, large amounts of older material stored in the BBC's various video tape and film libraries were either destroyed[33] or simply wiped. This included many old episodes of Doctor Who, mostly stories featuring the first three Doctors—William Hartnell, Patrick Troughton and Jon Pertwee. Following consolidations and recoveries the archives are complete from the programme's move to colour television (starting from Jon Pertwee's time as the Doctor), although a few Pertwee episodes have required substantial restoration; a handful have been recovered only as black and white films, and several survive in colour only as NTSC copies recovered from North America (a few of which are domestic, off-air Betamax tape recordings, not transmission quality). In all, 108 of 253 episodes produced during the first six years of the programme are not held in the BBC's archives. It has been reported that in 1972 almost all episodes then made were known to exist at the BBC,[34] whilst by 1978 the practice of wiping tapes had ended.[35]

Some episodes have been returned to the BBC from the archives of other countries who bought copies for broadcast, or by private individuals who got them by various means. Early colour videotape recordings made off-air by fans have also been retrieved, as well as excerpts filmed from the television screen onto 8 mm cine film and clips that were shown on other programmes. Audio versions of all of the lost episodes exist from home viewers who made tape recordings of the show.

In addition to these, there are off-screen photographs made by photographer John Cura, who was hired by various production personnel to document many of their programmes during the 1950s and 1960s, including Doctor Who. These have been used in fan reconstructions of the serials. These amateur reconstructions have been tolerated by the BBC, provided they are not sold for profit and are distributed as low quality VHS copies.
The animated reconstruction of The Invasion

One of the most sought-after lost episodes is Part Four of the last William Hartnell serial, The Tenth Planet (1966), which ends with the First Doctor transforming into the Second. The only portion of this in existence, barring a few poor quality silent 8 mm clips, is the few seconds of the regeneration scene, as it was shown on the children's magazine show Blue Peter. With the approval of the BBC, efforts are now under way to restore as many of the episodes as possible from the extant material. Starting in the early 1990s, the BBC began to release audio recordings of missing serials on cassette and compact disc, with linking narration provided by former series actors. "Official" reconstructions have also been released by the BBC on VHS, on MP3 CD-ROM and as a special feature on a DVD. The BBC, in conjunction with animation studio Cosgrove Hall has reconstructed the missing Episodes 1 and 4 of The Invasion (1968) in animated form, using remastered audio tracks and the comprehensive stage notes for the original filming, for the serial's DVD release in November 2006. Although no similar reconstructions have been announced as of early 2007, Cosgrove Hall has expressed an interest in animating more lost episodes in the future.[36]

In April 2006, Blue Peter launched a challenge to find these missing episodes with the promise of a full scale Dalek model.[37]

Characters

The Doctor

Main article: Doctor (Doctor Who)

The eleven faces of the Doctor

(Top) L-R: William Hartnell, Patrick Troughton, Jon Pertwee
(Middle) L-R: Tom Baker, Peter Davison, Colin Baker, Sylvester McCoy
(Bottom) L-R: Paul McGann, Christopher Eccleston, David Tennant, Matt Smith

The character of the Doctor was initially shrouded in mystery. All that was known about him in the programme's early days was that he was an eccentric alien traveller of great intelligence who battled injustice while exploring time and space in an unreliable old time machine called the TARDIS, an acronym for Time And Relative Dimension(s) In Space. As it appears much larger on the inside than on the outside, the TARDIS has been described by the Third Doctor as "dimensionally transcendental"[38] and, due to a malfunction of its Chameleon Circuit, is stuck in the shape of a 1950s-style British police box.

However, not only did the initially irascible and slightly sinister Doctor quickly mellow into a more compassionate figure, it was eventually revealed that he had been on the run from his own people, the Time Lords of the planet Gallifrey.

As a Time Lord, the Doctor has the ability to regenerate his body when near death. Introduced into the storyline as a way of continuing the series when the writers were faced with the departure of lead actor William Hartnell in 1966, it has continued to be a major element of the series, allowing for the recasting of the lead actor when the need arises. The serial The Deadly Assassin established that a Time Lord can regenerate twelve times, for a total of thirteen incarnations (although at least one Time Lord, the Master, has managed to circumvent this). To date, the Doctor has gone through this process and its resulting after-effects on nine occasions, with each of his incarnations having his own quirks and abilities but otherwise sharing the memories and experience of the previous incarnations:

1. First Doctor, played by William Hartnell (1963–1966[39])
2. Second Doctor, played by Patrick Troughton (1966–1969[39])
3. Third Doctor, played by Jon Pertwee (1970–1974[39])
4. Fourth Doctor, played by Tom Baker (1974–1981[39])
5. Fifth Doctor, played by Peter Davison (1981–1984[39])
6. Sixth Doctor, played by Colin Baker (1984–1986)
7. Seventh Doctor, played by Sylvester McCoy (1987–1989, 1996[40])
8. Eighth Doctor, played by Paul McGann (1996)
9. Ninth Doctor, played by Christopher Eccleston (2005)
10. Tenth Doctor, played by David Tennant (2005–2010)[7]
11. Eleventh Doctor, to be played by Matt Smith (2010–)[9]

Other actors have also played the Doctor, though rarely more than once (see the list of actors who have played the Doctor).

Despite these shifts in personality, the Doctor remains an intensely curious and highly moral adventurer who would rather solve problems with his wits than by using violence.

Throughout the programme's long history there have been controversial revelations about the Doctor. In The Brain of Morbius (1976), it was hinted that the First Doctor may not have been the first incarnation (although the other faces depicted may have been incarnations of the Time Lord Morbius). During the Seventh Doctor's era it was hinted that the Doctor was more than just an ordinary Time Lord. In the 1996 television movie, he describes himself as being "half human".[41] The revelation has become controversial amongst series fans, given that there have been no references to the concept during the original or revived television series.[42] The 2005 series reveals that the Ninth Doctor thought he had become the last surviving Time Lord, and that his home planet had been destroyed. The very first episode, An Unearthly Child, shows that the Doctor has a granddaughter, Susan Foreman; in "The Empty Child" (2005), in response to Constantine's statement that "before this war began, I was a father and a grandfather. Now I am neither", the Doctor remarks, "Yeah, I know the feeling"; and in both "Fear Her" (2006) and "The Doctor's Daughter" (2008), he states that he had, in the past, been a father. Also in the latter, his cells are used to produce a daughter (played by Georgia Moffett, the real-life daughter of Fifth Doctor actor Peter Davison) who is subsequently named Jenny by Donna as a result of his describing her as "a generated anomaly".

Companions

Main article: Companion (Doctor Who)

The Doctor almost always shares his adventures with up to three companions, and since 1963 more than 35 actors and actresses have featured in these roles. The First Doctor's original companions were his granddaughter Susan Foreman (Carole Ann Ford) and school teachers Barbara Wright (Jacqueline Hill) and Ian Chesterton (William Russell). The only story from the original series in which the Doctor travels alone is The Deadly Assassin.

Dramatically, the companion characters provide a surrogate with whom the audience can identify, and serve to further the story by requesting exposition from the Doctor and manufacturing peril for the Doctor to resolve. The Doctor regularly gains new companions and loses old ones; sometimes they return home or find new causes — or loves — on worlds they have visited. Some have even died during the course of the series.

Although the majority of the Doctor's companions have been young, attractive females, the production team for the 1963–1989 series maintained a long-standing taboo against any overt romantic involvement in the TARDIS. The taboo was controversially broken in the 1996 television film when the Eighth Doctor was shown kissing companion Grace Holloway. The 2005 series played with this idea by having various characters think that the Ninth Doctor and Rose (played by Billie Piper) were a couple, which they vehemently denied (see also "The Doctor and romance"). The idea of a possible involvement was suggested again in "Smith and Jones", when the Tenth Doctor kisses his soon-to-be new companion Martha Jones, although the Doctor insists that the kiss was simply for the purpose of 'genetic transfer'. In "The Unicorn and the Wasp", the Doctor is kissed by Donna Noble to shock him to neutralise a poison in his system, but again, a romantic purpose is unstated.

Previous companions reappeared in the series, usually for anniversary specials. One former companion, Sarah Jane Smith (played by Elisabeth Sladen), together with the robotic dog K-9, appeared in an episode of the 2006 series more than twenty years after their last appearances in the 20th Anniversary story "The Five Doctors" (1983). Afterwards, the character was featured in the spinoff series The Sarah Jane Adventures. Sladen once again appeared as Sarah Jane in the final two episodes of the fourth season of the new Doctor Who, with K-9 appearing briefly in the final episode, "Journey's End".

The latest companions of the Doctor included a large ensemble cast ranging from Catherine Tate reprising her role as Donna, Billie Piper as Rose, Noel Clarke as Mickey Smith, Freema Agyeman as Martha, Elisabeth Sladen as Sarah Jane and John Barrowman as Captain Jack, all of whom departed in the episode "Journey's End".[5] Agyeman appeared as Martha Jones in three episodes of the spin-off series Torchwood before returning to Doctor Who halfway through the fourth series.[43][44] Billie Piper briefly reprised her role as Rose Tyler in the fourth series episode "Partners in Crime" and returned to the series from "Turn Left" to "Journey's End".[45] For the 2007 Christmas episode "Voyage of the Damned", the Doctor's companion was Astrid Peth, played by Australian performer Kylie Minogue.

Though not always considered a companion, Brigadier Lethbridge-Stewart was a recurring character in the original series, making his first appearance alongside the Second Doctor and his final alongside the Seventh. The actor Nicholas Courtney who portrayed the Brigadier had previously also starred as Bret Vyon alongside first Doctor William Hartnell in the 12-part The Daleks' Master Plan, and he appeared on television with every Doctor of the classic series except Colin Baker, and appears with the Sixth Doctor in the charity crossover special Dimensions in Time and in audio adventures from Big Finish Productions. Lethbridge-Stewart, still played by Courtney, appeared in Enemy of the Bane, a two-part episode of The Sarah Jane Adventures spinoff in 2008, more than 40 years after the character was first introduced, making him the longest-serving ongoing character in the franchise beyond the Doctor himself. He and UNIT appeared regularly during the Third Doctor's tenure, and UNIT has continued to appear or be referred to in the revival of the show and its spin-offs.

Adversaries

See also: List of Doctor Who monsters and aliens and List of Doctor Who villains

The Daleks are perhaps the best-known adversaries faced by the Doctor.

When Sydney Newman commissioned the series, he specifically did not want to perpetuate the cliché of the "bug-eyed monster" of science fiction.[46] However, monsters were a staple of Doctor Who almost from the beginning and were popular with audiences. Notable adversaries of the Doctor from the series' initial 26-year run include the Autons, the Cybermen, the Sontarans, the Zygons, the Sea Devils, the Silurians, the Ice Warriors, the Rani, the Yeti, Davros (the creator of the Daleks), the Master (a Time Lord with a thirst for universal conquest), and, most notably, the Daleks. This continued with the resurrection of the series in 2005.

Current executive producer, Russell T. Davies, stated that it had always been his intention to bring back classic icons of Doctor Who one step at a time: Daleks in series 1, Cybermen in series 2 and the Master in series 3. He also stated that he was not finished and would continue reviving villains from the series' past.[47] Series 4 saw the return of the Sontarans and the Daleks' creator, Davros. Since its 2005 return, the series has also introduced new aliens, including the Slitheen, the Ood, the Judoon and the Hath.

Daleks

Main article: Dalek

Of all the monsters and villains, the ones that have most secured the series' place in the public's imagination are the Daleks, who first appeared in 1963 and were the series' very first "monster". The Daleks are Kaled mutants in tank-like mechanical armour shells from the planet Skaro. Their chief role in the great scheme of things, as they frequently remark in their instantly recognisable metallic voices, is to "Exterminate!" all beings inferior to themselves, even destroying the Time Lords in the often referenced but never shown Time War. Davros, the Daleks' creator, became a recurring villain after he was introduced in Genesis of the Daleks, in which the Time Lords send the Doctor back to either destroy the Daleks, avert their creation, or tamper with their genetic structure to make them less warlike. Davros has been played by Michael Wisher (first introduced in Genesis of the Daleks), David Gooderson (Destiny of the Daleks), and Terry Molloy. Davros returned to Doctor Who portrayed by Julian Bleach in the 2008 episodes "The Stolen Earth" and "Journey's End".

The Daleks were created by writer Terry Nation (who intended them as an allegory of the Nazis)[48] and BBC designer Raymond Cusick. The Daleks' début in the programme's second serial, The Daleks (1963–64), caused a tremendous reaction in the viewing figures and the public, putting Doctor Who on the cultural map. A Dalek appeared on a postage stamp celebrating British popular culture in 1999, photographed by Lord Snowdon.

Cybermen

Main article: Cybermen

Cybermen were originally a wholly organic species of humanoids originating on Earth's twin planet Mondas that began to implant more and more artificial parts into their bodies. This led to the race becoming coldly logical and calculating, with emotions usually only shown when naked aggression was called for. The 2006 series introduced a totally new variation of Cybermen created in a parallel universe by transplanting the brains of humans into powerful metal bodies, sending them orders using a mobile phone network, and inhibiting their emotions with an electronic chip.

The Master

Main article: Master (Doctor Who)

The Master is a renegade Time Lord, and the Doctor's nemesis. Conceived as "Professor Moriarty to the Doctor's Sherlock Holmes,"[49] the character first appeared in 1971. As with the Doctor, the role has been portrayed by several actors, the first being Roger Delgado who continued in the role until his death in 1973. The Master was briefly played by Peter Pratt and Geoffrey Beevers until Anthony Ainley took over and continued to play the character until Doctor Who's "hiatus" in 1989. The Master returned in the 1996 television movie of Doctor Who, played by Gordon Tipple in the ultimately unused pre-credits voiceover, then Eric Roberts, and in the three-part finale of the 2007 series, portrayed by Derek Jacobi, who then regenerated into John Simm at the conclusion of the episode "Utopia".

Music

Theme music

Main article: Doctor Who theme music

Doctor Who theme excerpt
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An excerpt from the theme music to Doctor Who
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The original 1963 radiophonic arrangement of the Doctor Who theme is widely regarded as a significant and innovative piece of electronic music, and Doctor Who was the first television series in the world to have a theme entirely realised through electronic means.

The original theme was composed by Ron Grainer and realised by Delia Derbyshire at the BBC Radiophonic Workshop, with assistance from Dick Mills. The various parts were built up by creating tape loops of an individually struck piano string and individual test oscillators and filters. The Derbyshire arrangement served, with minor edits, as the theme tune up to the end of Season 17 (1979–80).

A more modern and dynamic arrangement was composed by Peter Howell for Season 18 (1980), which was in turn replaced by Dominic Glynn's arrangement for Season 23's The Trial of a Time Lord (1986). Keff McCulloch provided the new arrangement for the Seventh Doctor's era which lasted from Season 24 (1987) until the series' suspension in 1989. For the return of the series in 2005, Murray Gold provided a new arrangement which featured samples from the 1963 original with further elements added; in the 2005 Christmas episode "The Christmas Invasion", Gold introduced a modified closing credits arrangement that was used up until the conclusion of the 2007 series.

A new arrangement of the theme, once again by Gold, was introduced in the 2007 Christmas special episode, "Voyage of the Damned".

Versions of the "Doctor Who Theme" have also been released in a pop music venue over the years. In the early 1970s, Jon Pertwee, who had played the Third Doctor, recorded a version of the Doctor Who theme with spoken lyrics, titled, "Who Is the Doctor". In 1988 the band The Justified Ancients of Mu Mu (later known as The KLF) released the single "Doctorin' the Tardis" under the name The Timelords, which reached No. 1 in the UK and No. 2 in Australia; this version incorporated several other songs, including "Rock and Roll Part 2" by Gary Glitter (who recorded vocals for some of the CD-single remix versions of "Doctorin' the Tardis").[50] Others who have covered or reinterpreted the theme include Orbital,[50] Pink Floyd,[50] the Australian string ensemble Fourplay, New Zealand punk band Blam Blam Blam, The Pogues, and the comedians Bill Bailey and Mitch Benn, and it and obsessive fans were satirised on The Chaser's War on Everything. A reggae/ska version of the Doctor Who theme tune was released on the Explosion label in 1969 by Bongo Herman and Les. The theme tune has also appeared on many compilation CDs and has made its way into mobile phone ring tones. Fans have also produced and distributed their own remixes of the theme.

Incidental music

Most of the innovative incidental music for Doctor Who has been specially commissioned from freelance composers, although in the early years some episodes also used stock music, as well as occasional excerpts from original recordings or cover versions of songs by popular music acts such as The Beatles and The Beach Boys.

The incidental music for the first Doctor Who adventure, An Unearthly Child, was written by Norman Kay. Many of the stories of the William Hartnell period were scored by electronic music pioneer Tristram Cary, whose Doctor Who credits include The Daleks, Marco Polo, The Daleks' Master Plan, The Gunfighters and The Mutants. Other composers in this early period included Richard Rodney Bennett, Carey Blyton and Geoffrey Burgon.

The most frequent musical contributor during the first fifteen years was Dudley Simpson, who is also well known for his theme and incidental music for Blake's 7, and for his haunting theme music and score for the original 1970s version of The Tomorrow People. Simpson's first Doctor Who score was Planet of Giants (1964) and he went on to write music for many adventures of the 1960s and 1970s, including most of the stories of the Jon Pertwee / Tom Baker periods, ending with The Horns of Nimon (1979). He also made a cameo appearance in The Talons of Weng-Chiang (as a Music hall conductor).

Beginning with The Leisure Hive (1980), the task of creating incidental music was assigned to the Radiophonic Workshop. Paddy Kingsland and Peter Howell contributed many scores in this period and other contributors included Roger Limb, Malcolm Clarke and Jonathan Gibbs.

The Radiophonic Workshop was dropped after the The Trial of a Time Lord season, and Keff McCulloch took over as the series' main composer, with Dominic Glynn and Mark Ayres also contributing scores.

All the incidental music for the 2005 revived series has been composed by Murray Gold and Ben Foster and has been performed by the BBC National Orchestra of Wales from the 2005 Christmas episode The Christmas Invasion onwards. A concert featuring the orchestra performing music from the first two series took place on 19 November 2006 to raise money for Children in Need. David Tennant hosted the event, introducing the different sections of the concert. Murray Gold and Russell T Davies answered questions during the interval and Daleks and Cybermen menaced the audience whilst music from their stories was played. The concert aired on BBCi on Christmas Day 2006. A Doctor Who Prom was celebrated on 27 July 2008 in the Royal Albert Hall as part of the annual BBC Proms. The BBC Philharmonic and the London Philharmonic Choir performed Murray Gold's compositions for the series, conducted by Ben Foster, as well as a selection of classics based around the theme of space and time. The event was presented by Freema Agyeman and guest-presented by various other stars of the show with numerous monsters participating in the proceedings. It also featured the specially filmed mini-episode Music of the Spheres, written by Russell T Davies and starring David Tennant.[51]

Since its 2005 return, the series has featured occasional use of excerpts of pop music from the 1970s, 1980s, 1990s and early 2000s, including works by Ian Dury and the Blockheads, Electric Light Orchestra, Soft Cell, Rogue Traders, Britney Spears and the Scissor Sisters. The soundtrack for Series 1 and 2 was released on 4 December 2006 by Silva Screen Records.[52] The soundtrack for Series 3 was released on 5 November 2007. A soundtrack for Series 4 was released on 17 November 2008.

Special sound

Doctor Who's science-fiction themes and settings meant that many sound effects had to be specially created for the series, although some common sound effects (such as crowds, horses and jungle noises) were sourced from stock recordings. Because Doctor Who began several years before the advent of the first mass-produced synthesizers, much of the equipment used to create electronic sound effects in the early days was custom-built by the BBC Radiophonic Workshop and until the early 1970s audio effects were produced using a combination of electronic and radiophonic techniques.

Almost all of the original sound effects and audio backgrounds during the 1960s were overseen by the Radiophonic Workshop's Brian Hodgson, who worked on Doctor Who from its inception until the middle of Jon Pertwee's tenure in the early 1970s, when he was succeeded by Dick Mills. Hodgson created hundreds of pieces of "special sound" ranging from ray-gun blasts to dinosaurs, but without doubt his best known sound effects are the sound of the TARDIS as it de-materialises and re-appears, and the voices of the Daleks.

The basic audio source Hodgson used for the TARDIS effect was the sound of his house keys being scraped up and down along the strings of an old gutted piano, and played backwards. The famous Dalek voice effect was obtained by passing the actors' voices through a device called a ring modulator, and it was further enhanced by exploiting the distortion inherent in the microphones and amplifiers then in use. However, the precise sonic character of the Daleks' voices varied somewhat over time because the original frequency settings used on the ring modulator were never noted down.

Viewership

Main article: Doctor Who fandom

The image of the TARDIS is iconic in British popular culture.

Doctor Who has always appeared on the BBC's mainstream BBC One channel, where it is regarded as a family show, drawing audiences of many millions of viewers. The programme's popularity has waxed and waned over the decades, with three notable periods of high ratings.[53] The first of these was the "Dalekmania" period (circa 1964–1965), when the popularity of the Daleks regularly brought Doctor Who ratings of between 9 and 14 million, even for stories which did not feature them.[53][54] The second was the late 1970s, when Tom Baker occasionally drew audiences of over 12 million.[53] During the ITV network strike of 1979, viewership peaked at 16 million. Figures remained respectable into the 1980s, but fell noticeably after the programme's 23rd season was postponed in 1985 and the show was off the air for 18 months. Its late 1980s performance of three to five million viewers was seen as poor at the time and was, according to the BBC Board of Control, a leading cause of the programme's 1989 suspension. Some fans considered this disingenuous, since the programme was scheduled against the soap opera Coronation Street, the most popular show at the time. After the series' revival in 2005 (the third noteworthy period of high ratings), it has consistently had high viewership levels for the evening on which the episode is broadcast, and often attracts the most viewers on that evening.[53] The BBC One broadcast of "Rose", the first episode of the 2005 revival, drew an average audience of 10.81 million, third highest for BBC One that week and seventh across all channels. The largest audience for an episode of Doctor Who since its revival was achieved by the 2007 Christmas special "Voyage Of The Damned", which received 13.31 million viewers, a feat which also made it the second most watched show of the year. The highest weekly chart ranking is first, for the 2008 series finale "Journey's End", which was watched by 10.57 million viewers.[53][55] The current revival also garners the highest audience Appreciation Index of any non-soap drama on television.[56] Its continued viewership has resulted in becoming part of the UK's popular culture.

The series also has a fan base in the United States, where it was shown in syndication from the 1970s to the 1990s, particularly on PBS stations (see Doctor Who in North America). New Zealand was the first country outside the UK to screen Doctor Who beginning in September 1964, and continued to screen the series for many years, including the new series from 2005. In Canada, the series debuted in January 1965, but the CBC only aired the first twenty-six episodes. TVOntario picked up the show in 1976 beginning with The Three Doctors and aired it through to Season 24 in 1991. TVO's schedule ran several years behind the BBC's throughout this period. From 1979 to 1981, TVO airings were bookended by science-fiction writer Judith Merril who would introduce the episode and then, after the episode concluded, try to place it in an educational context in keeping with TVO's status as an educational channel. The airing of The Talons of Weng-Chiang resulted in controversy for TVOntario as a result of accusations that the story was racist. Consequently the story was not rebroadcast. CBC began showing the series again in 2005.

A fan base exists in Australia, where it has been exclusively first run on ABC1, and periodically repeated - including screening all available episodes for the show's 40th anniversary in 2003. Repeats have also been shown on the subscription television channel UK.TV. The ABC also broadcasts the first run of the revived series, on ABC1, with repeats on ABC2. UK.TV also shows repeats of the revived series. The ABC also provided partial funding for the 20th anniversary special episode "The Five Doctors".

Only four episodes have ever had their premier showings on channels other than BBC One. The 1983 twentieth anniversary special "The Five Doctors" had its début on 23 November (the actual date of the anniversary) on the Chicago PBS station WTTW in the United States and various other PBS members two days prior to its BBC One broadcast. The 1988 story Silver Nemesis was broadcast with all three episodes edited together in compilation form on TVNZ in New Zealand in November, after the first episode had been shown in the UK but before the final two instalments had aired there. Finally, the 1996 television film premièred on 12 May 1996 on CITV in Edmonton, Canada, fifteen days before the BBC One showing, and two days before it aired on Fox in the US.

A wide selection of serials is available from BBC Video on VHS and DVD, on sale in the United Kingdom, Australia, and the United States. Every fully extant serial has been released on VHS, and BBC Worldwide continues to regularly release serials on DVD. The 2005 series is also available in its entirety on UMD for the PlayStation Portable.

As of July 2008, the revived series has been, or is currently, broadcast weekly in 42 countries,[57] including Argentina (People+Arts), Australia (ABC1), Austria (Pro 7), Belgium (Één), Brazil (People+Arts), Canada (CBC (in English) and Ztélé (in French)), Catalonia (TV3 and BBC Entertainment), Croatia (Croatian Radiotelevision), Denmark (Danmarks Radio), Finland (TV2), France (France 4), Germany (Pro 7 and Sci Fi Channel), Hong Kong (ATV World and BBC Entertainment), Hungary (RTL Klub-owned COOL TV), Iceland (RÚV), Ireland (TV3), Israel (Yes Stars 2 and AXN), Italy (Jimmy), Japan (NHK BS2), Malaysia (Astro Network), the Netherlands (NED 3), New Zealand (Prime TV), Norway (NRK), Poland (TVP1), Portugal (People+Arts, SIC Radical), Romania (TVR), Russia (STS TV), Spain (People+Arts [first run], Sci Fi Channel [second run, new dubbing]), Latin America (People+Arts), South Korea (KBS2 (dubbed in Korean) and Fox (subtitled in Korean)), Sweden (SVT), Switzerland (Pro 7), Thailand (Channel 7), Turkey (Cine5), the United States (Sci Fi Channel [first run], public television [second run] and BBC America [second run]), Greece (Skai TV), Style UK (part of Showtime Arabia) for the Middle East, North Africa and the Levant territories. Doctor Who is one of the five top grossing titles for BBC Worldwide, the BBC's commercial arm.[58] BBC Worldwide CEO John Smith has said that Doctor Who is one of a small number of "Superbrands" which Worldwide will promote heavily.[59]

A special logo has been designed for the Japanese broadcast with the katakana "ドクター・フー" (romanised as Dokutaa Fuu).[60] The series has apparently "mystified" viewers in Japan where it has been broadcast in a late evening time slot, leading to some not realising it is a family show.[61]

The series one episodes aired in Canada a couple of weeks after their UK broadcast, a situation made possible by the 2004–05 NHL lockout which left vast gaps in CBC's schedule. For the Canadian broadcast, Christopher Eccleston recorded special video introductions for each episode (including a trivia question as part of a viewer contest) and excerpts from the Doctor Who Confidential documentary were played over the closing credits; for the broadcast of "The Christmas Invasion" on 26 December 2005, Billie Piper recorded a special video introduction. CBC began airing series two on 9 October 2006 at 8:00 pm E/P (8:30 in Newfoundland and Labrador), shortly after that day's CFL double header on Thanksgiving in most of the country.

Series three began broadcasting on BBC One in the United Kingdom on 31 March 2007. It began broadcasting on CBC on 18 June 2007 followed by the second Christmas special, "The Runaway Bride" at midnight,[62] and the Sci Fi Channel began on 6 July 2007 starting with the second Christmas special at 8:00 pm E/P followed by the first episode.[63]

Series four aired in the U.S. on the Sci-Fi Channel, beginning in April 2008.[64] It aired on CBC Canada 19 September 2008.[65]

Adaptations and other appearances

Dr. Who movies

Main article: Dr. Who (Dalek films)

There are two "Dr. Who" cinema films: Dr. Who and the Daleks, released in 1965 and Daleks - Invasion Earth 2150 AD in 1966. Both are retellings of existing TV stories (specifically, the first two Dalek serials) on the big screen, with a larger budget and alterations to the series concept.

In these films, Peter Cushing plays a human scientist named "Dr. Who", who travels with his two granddaughters and other companions in a time machine he has invented. The Cushing version of the character reappears in both comic strip and literary form, the latter attempting to reconcile the film continuity with that of the series.

In addition, a number of planned films were proposed including a sequel, The Chase, loosely based on the original series story (the third to feature the same antagonists), for the Cushing Doctor, plus many attempted TVM and big screen productions to revive the original Doctor Who, after the original series was cancelled. (See List of proposed Doctor Who films)

Spin-offs

Main article: Doctor Who spin-offs

Doctor Who has appeared on stage numerous times. In the early 1970s, Trevor Martin played the role in Doctor Who and the Daleks in the Seven Keys to Doomsday which also featured former companion actress Wendy Padbury (Pertwee's Doctor made a cameo appearance via film). In the early 1990s, Jon Pertwee and Colin Baker both played the Doctor at different times during the run of a musical play titled Doctor Who - The Ultimate Adventure. For two performances while Pertwee was ill, David Banks (best known for playing various Cybermen) played the Doctor. Other original plays have been staged as amateur productions, with other actors playing the Doctor, while Terry Nation wrote The Curse of the Daleks, a stage play mounted in the late 1960s, but without the Doctor.

A pilot episode for a potential spin-off series, K-9 and Company, was aired in 1981 with Elisabeth Sladen reprising her role as companion Sarah Jane Smith and John Leeson as the voice of K-9, but was not picked up as a regular series.

Concept art for an animated Doctor Who series was produced by animation company Nelvana in the 1980s, but the series was not produced.[66]

The Doctor has also appeared in webcasts and in audio plays; prominent among the latter were those produced by Big Finish Productions from 1999 onwards, who were responsible for a range of audio plays released on CD, as well as 2006's eight-part BBC 7 series starring Paul McGann.

Following the success of the 2005 series produced by Russell T Davies, the BBC commissioned Davies to produce a 13-part spin-off series titled Torchwood (an anagram of "Doctor Who"), set in modern-day Wales and investigating alien activities and crime. The series debuted on BBC Three on 22 October 2006.[67] John Barrowman reprised his role of Jack Harkness from the 2005 series of Doctor Who.[68] Two other actresses who appeared in Doctor Who also star in the series; Eve Myles as Gwen, who also played the similarly named servant girl Gwyneth in the 2005 Doctor Who episode "The Unquiet Dead",[69] and Naoko Mori who reprised her role as Toshiko Sato first seen in "Aliens of London". A second series of Torchwood aired in 2008; for three episodes, the cast was joined by Freema Agyeman reprising her Doctor Who role of Martha Jones. A third season will air in the spring of 2009, consisting of a single five-part story called Children of Earth.

The Sarah Jane Adventures, starring Elisabeth Sladen who reprises her role as Sarah Jane Smith, has been developed by CBBC; a special aired on New Year's Day 2007 and a full series began on Monday, 24 September 2007.[70] A second season followed in 2008, notable for (as noted above) featuring the return of Brigadier Lethbridge-Stewart. In the fall of 2008 the BBC announced it had commissioned a third season to air in the fall of 2009.

An animated serial, The Infinite Quest, aired alongside the 2007 series of Doctor Who as part of the children's television series Totally Doctor Who. The serial featured the voices of series regulars David Tennant and Freema Agyeman but is not considered part of the 2007 season.[71]

A new K-9 children's series, K-9, is in development, but not by the BBC. It is currently scheduled to air beginning in 2009.[72]

Charity episodes

In 1983, coinciding with the series' 20th anniversary, a charity special entitled The Five Doctors was produced in aid of Children in Need, featuring three of the first five Doctors, a new actor to replace the deceased William Hartnell, and unused footage to represent Tom Baker. This was a full-length, 90-minute film, the longest single episode of Doctor Who produced to date (discounting the 1996 made-for-TV film, which ran a few minutes longer with commercial breaks not included).

In 1993, for the franchise's 30th anniversary, another charity special entitled "Dimensions in Time" was produced for Children in Need, featuring all of the surviving actors who played the Doctor and a number of previous companions. Not taken seriously by many, the story had the Rani opening a hole in time, cycling the Doctor and his companions through his previous incarnations and menacing them with monsters from the show's past. It also featured a crossover with the soap opera EastEnders, the action taking place in the latter's Albert Square location and around Greenwich, including the Cutty Sark. The special was one of several special 3D programmes the BBC produced at the time, using a 3D system that made use of the Pulfrich effect requiring glasses with one darkened lens; the picture would look perfectly normal to those viewers who watched without the glasses.
Rowan Atkinson as the Doctor and Julia Sawalha as Emma in the parody "The Curse of Fatal Death".

In 1999, another special, "Doctor Who and the Curse of Fatal Death", was made for Comic Relief and later released on VHS. An affectionate parody of the television series, it was split into four segments, mimicking the traditional serial format, complete with cliffhangers, and running down the same corridor several times when being chased. (The version released on video was split into only two episodes.) In the story, the Doctor (Rowan Atkinson) encounters both the Master (Jonathan Pryce) and the Daleks. During the special the Doctor is forced to regenerate several times, with his subsequent incarnations played by, in order, Richard E. Grant, Jim Broadbent, Hugh Grant and Joanna Lumley. The script was written by Steven Moffat, later to be head writer and executive producer to the revived series.[16]

Since the return of Doctor Who in 2005, the franchise has produced two original "mini-episodes" to support Children in Need. The first was an untitled 7-minute scene (see Doctor Who: Children in Need) which served to introduce David Tennant as the new Doctor. which aired in November 2005. It was followed in November 2007 by Time Crash, a 7-minute scene which featured the Tenth Doctor meeting the Fifth Doctor (played once again by Peter Davison). In 2008 the Doctor Who production team did not produce a new Children in Need mini-episode; instead, the opening scene from the 2008 Christmas special, The Next Doctor was broadcast.

Spoofs and cultural references

Main article: Doctor Who spoofs

Doctor Who has been satirised and spoofed on many occasions by comedians including Spike Milligan and Lenny Henry. Doctor Who fandom has also been lampooned on programmes such as Saturday Night Live, The Chaser's War on Everything, Mystery Science Theater 3000, Family Guy and The Simpsons.
The Fourth Doctor on The Simpsons

The Doctor in his fourth incarnation has been represented on several episodes of The Simpsons, starting with the episode "Sideshow Bob's Last Gleaming". Jon Culshaw frequently impersonates the Fourth Doctor in the BBC Dead Ringers series. Culshaw's "Doctor" has telephoned four of the "real" Doctors—Tom Baker, Peter Davison, Colin Baker and Sylvester McCoy—in character as the Fourth Doctor. In the 2005 Dead Ringers Christmas special, broadcast shortly before "The Christmas Invasion", Culshaw impersonated both the Fourth and Tenth Doctors, while the Second, Seventh and Ninth Doctors were impersonated by Mark Perry, Kevin Connelly and Phil Cornwell, respectively.

Less a spoof and more of a pastiche is the character of Professor Justin Alphonse Gamble, a renegade from the Time Variance Authority, who appeared in Marvel Comics' Power Man and Iron Fist #79 and Avengers Annual #22. His enemies include the rogue robots known as the Dredlox.[73]

There have also been many references to Doctor Who in popular culture and other science fiction franchises, including Star Trek: The Next Generation ("The Neutral Zone", among others). In the Channel 4 series Queer As Folk (created by current Doctor Who executive producer Russell T Davies), the character of Vince was portrayed as an avid Doctor Who fan, with references appearing many times throughout in the form of clips from the programme. References to Doctor Who have also appeared in the young adult fantasy novel High Wizardry,[74] the video game Rock Band,[75] the soap opera EastEnders, the Adult Swim comedy show "Robot Chicken" and the Family Guy Star Wars spoof episode "Blue Harvest", among other sources. Doctor Who has long been a favourite referent for political cartoonists, from a 1964 cartoon in the Daily Mail depicting Charles de Gaulle as a Dalek,[76] to a 2008 edition of This Modern World by Tom Tomorrow in which the Tenth Doctor informs an incredulous character from 2003 that the Democratic Party will nominate an African-American (Barack Obama) as its presidential candidate.[77] In the daily comic strip Retail, character Cooper Costello dresses as the Fourth Doctor for Halloween and builds a replica of the TARDIS. Everyone at the store's Halloween party mistakes him for Sherlock Holmes, leaving Cooper exasperated at people's inability to recognize and appreciate his costumes.

Merchandise

Main article: Doctor Who merchandise

Since its beginnings, Doctor Who has generated many hundreds of products related to the show, from toys and games to collectible picture cards and postage stamps. These include board games, card games, gamebooks, computer games, roleplaying games, action figures and a pinball game.

Many games have been released that feature the Daleks, including Dalek computer games.

Books

Doctor Who books have been published from the mid-sixties through to the present day. From 1965 to 1991 the books published were primarily novelised adaptations of broadcast episodes; beginning in 1991 an extensive line of original fiction was launched. Since the relaunch of the programme in 2005, a new range of novels have been published by BBC Books, featuring the adventures of the Ninth and Tenth Doctors.

* Past Doctor Adventures

* Eighth Doctor Adventures

* New Series Adventures

Awards

Although Doctor Who was fondly regarded during its original 1963–1989 run, it received little critical recognition at the time. In 1975, Season 11 of the series won a Writers' Guild of Great Britain award for Best Writing in a Children's Serial. In 1996, BBC television held the "Auntie Awards" as the culmination of their "TV60" season, celebrating sixty years of BBC television broadcasting, where Doctor Who was voted as the "Best Popular Drama" the corporation had ever produced, ahead of such ratings heavyweights as EastEnders and Casualty.[78] In 2000, Doctor Who was ranked third in a list of the 100 Greatest British Television Programmes of the twentieth century, produced by the British Film Institute and voted on by industry professionals.[79] In 2005, the series came first in a survey by SFX magazine of "The Greatest UK Science Fiction and Fantasy Television Series Ever". Also, in the 100 Greatest Kids' TV shows (a Channel 4 countdown in 2001), the 1963–1989 run was placed at number eight.

The revived series has received particular recognition from critics and the public. In 2005, at the National Television Awards (voted on by members of the British public), Doctor Who won "Most Popular Drama", Christopher Eccleston won "Most Popular Actor" and Billie Piper won "Most Popular Actress". The series and Piper repeated their wins at the 2006 National Television Awards, and David Tennant won "Most Popular Actor" in 2006 and 2007, with the series again taking the Most Popular Drama award in 2007.[80] A scene from "The Doctor Dances" won "Golden Moment" in the BBC's "2005 TV Moments" awards,[81] and Doctor Who swept all the categories in BBC.co.uk's online "Best of Drama" poll in both 2005[82] and 2006.[83] The programme also won the Broadcast Magazine Award for Best Drama.[84] Eccleston was awarded the TV Quick and TV Choice award for Best Actor in 2005; in the same awards in 2006 Tennant won Best Actor, Piper won Best Actress and Doctor Who won Best-Loved Drama.[85][86]

Doctor Who was nominated in the Best Drama Series category at the 2006 Royal Television Society awards,[87] but lost to BBC Three's medical drama Bodies.[88]

Doctor Who also received several nominations for the 2006 Broadcasting Press Guild Awards: the programme for Best Drama, Eccleston for Best Actor (David Tennant was also nominated for Secret Smile), Piper for Best Actress and Davies for Best Writer. However, it did not win any of these categories.[89]

Several episodes of the 2005 series of Doctor Who were nominated for the Hugo Award for Best Dramatic Presentation, Short Form: "Dalek", "Father's Day" and the double episode "The Empty Child"/"The Doctor Dances". At a ceremony at the Worldcon (L.A. Con IV) in Los Angeles on 27 August 2006, the Hugo was awarded to "The Empty Child"/"The Doctor Dances".[90] "Dalek" and "Father's Day" came in second and third places respectively.[91] The 2006 series episodes "School Reunion", "Army of Ghosts"/"Doomsday" and "The Girl in the Fireplace" were nominated for the same category of the 2007 Hugo Awards, with "The Girl in the Fireplace" winning.[92] The 2007 series episodes "Blink" and "Human Nature"/"The Family of Blood" also secured nominations in this category in the 2008 Hugo Awards,[93] with "Blink" winning the award.[94]

The British Academy Television Awards (BAFTA) nominations, released on 27 March 2006, revealed that Doctor Who had been short-listed in the category of Best Drama Series. This is the highest-profile and most prestigious British television award for which the series has ever been nominated. Doctor Who was also nominated in several other categories in the BAFTA Craft Awards, including Best Writer (Russell T Davies), Best Director (Joe Ahearne), and Break-through Talent (production designer Edward Thomas). However, it did not eventually win any of its categories at the Craft Awards.

On 22 April 2006, the programme won five categories (out of fourteen nominations) at the lower-profile BAFTA Cymru awards, given to programmes made in Wales. It won Best Drama Series, Drama Director (James Hawes), Costume, Make-up and Photography Direction. Russell T Davies also won the Siân Phillips Award for Outstanding Contribution to Network Television.[95] The programme enjoyed further success at the BAFTA Cymru awards the following year, winning eight of the thirteen categories in which it was nominated, including Best Actor for David Tennant and Best Drama Director for Graeme Harper.[96]

On 7 May 2006, the main BAFTA award winners were announced, and Doctor Who won both of the categories it was nominated for, the Best Drama Series and audience-voted Pioneer Award. Russell T Davies also won the Dennis Potter Award for Outstanding Writing for Television.[97] Writer Steven Moffat won the Best Writer category

added on the 2009-01-25 03:07:34 by Brandy Bogard

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added on the 2009-01-25 03:18:32 by Alpha C

Bono.
God love the Scots

Bono, lead singer of the rock band U2, is famous throughout the
entertainment industry for being more than just a little self-righteous.
At a recent U2 concert in Glasgow, Scotland, he asked the audience for
total quiet. Then, in the silence, he started to slowly clap his hands,
once every few seconds.
Holding the audience in total silence, he said into the microphone, 'Every
time I clap my hands, a child in Africa dies.'
A voice with a broad Scottish accent from the front of the crowd pierced the quiet... 'Well, foockin stop doin it then, ya evil bastard!'

added on the 2009-03-06 18:02:35 by orb

Instructions:

- 100 lines max.
- No images

added on the 2009-03-06 20:18:50 by Joghurt

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